Marantz 7700-2 – the invisible cult tape machine

Price then, value now, and why this reel-to-reel became a legend– only 10 pieces exist in the world.

Introduction: When a tape machine becomes a myth

In vintage HiFi, there are devices you can buy – and devices you can only dream of.
The Marantz 7700 or 7700-2 reel-to-reel tape machine clearly belongs to the second category: It was developed in the late 70s, extensively featured in trade magazines – but never went into mass production.LinkedIn+1

Today it is consideredthe holy grail among Marantz collectors, a tape machine that visually fits perfectly with the classic champagne Marantz look and technically plays at the level of professional studio machines. Only a handful of specimens are known.Reel to Reel

This article onmySoundbookilluminates:

  • how the Marantz 7700-2 came to be
  • what it cost back then
  • and in which price range afully restored specimencould realistically be today.

Marantz and the never-built tape machine flagship.

In the 70s, Marantz was mainly known for high-end receivers and amplifiers. Open reel tape machines weren't really in the Japanese program until the introduction of the.Marantz 7700/7700-2around 1978/79 at trade fairs like the Japan Audio Fair and CES in Las Vegas.LinkedIn+1

Key facts:

  • Prototype instead of series device.
    The 7700-2 was shown in brochures and tests but was never brought to regular trade.Facebook+1
  • Extremely low production numbers.
    Depending on the source, onlyfour to a maximum of ten machineswere built in the Japanese development lab – partly as a 2-track version with 4-track playback, partly as pure 4-track machines.LinkedIn+1
  • Myth through invisibility.
    One specimen with serial number000001Pis documented, a few more devices have appeared in collector's hands in Europe. Publicly traded offers are practically unknown – which fuels the cult status further.Reel to Reel+1

In short: Marantz built a tape machine flagship, showed it to the world – and then disappeared from this market before the series could even start.


Technology: State of the Art late 70s.

Technically, the 7700-2 was also a statement: Marantz didn't just want to build 'any' tape machine, but wanted to compete in the top league right away.

Important key data of the Marantz 7700-2:hifi-wiki.de+1

  • 3 motors(Dual-capstan drive + two reel motors)
  • 6 heads, recording and playback in 2- and 4-track, erase heads separate.
  • Three tape speeds: 9.5 / 19 / 38 cm/s (3¾ / 7½ / 15 ips)
  • Pitch control: ±6 % – ideal for fine-tuning or musicians.
  • Max. reel diameter: 26.5cm (10½”)
  • Frequency response(±3 dB):
    • 20–17,000 Hz at 9.5 cm/s
    • 20–29,000 Hz at 19 cm/s
    • 20–37,000 Hz at 38 cm/s
  • Signal-to-noise ratio: > 66 dB
  • Fast winding: about 130 seconds for a 540 m tape.

Features included:

  • integrated test oscillator (400 Hz & 10 kHz) for calibration.
  • combined VU/Peak/Peak-Hold display.
  • extensive bias and EQ adjustment options.

In the tests back then, mainly thevery quiet driveand the enormous features were praised - 'impressively smooth tape handling' with a complete set of adjustment options.World Radio History+1


Price back then: High End at luxury rates

Although the Marantz 7700-2 was never produced in series, there are quite clear indications of theplanned selling price:

  • Germany (1979): 3,200 DM
  • USA: 2,500 US dollarsLinkedIn+1

To put this in context:

  • 3,200 DM correspond toaround 1,640 €at the official exchange rate.
  • Adjusted for purchasing power, we are talking about an amount that was more in the range of a good used car - so real luxury Hi-Fi for enthusiasts.

For Marantz, the 7700-2 would clearly be positioned astop high-end componentpositioned, comparable to the big Revox, Studer, or Technics machines of that time.


Market comparison: What do top tape machines bring today?

Because there are practically no publicly documented sales of the Marantz 7700/7700-2, a look at other cult tape machines whose prices we know helps:

  • Revox B77 Mk.II, fully refurbished
    - is quickly around at reputable dealersaround 2,500–2,600 €.Audio Market
  • Akai GX-747, top condition / refurbished
    - depending on market & accessoriesabout 3,000–4,500 €, sometimes even more.Audio Market+2 Classifieds+2
  • Technics RS-1500, fully restored
    - standard devices in good condition around3,000–4,500 €, elaborate modified high-end builds are sometimes offered for10,000–20,000 US dollarsoffered.tapeheads.net+3 Hifi Shark+3 SkyFi Audio+3

These numbers show:high-quality, fully revised tape machinesare currently in a price range of roughly2,000 to 10,000 €, absolute special modifications above that.


Value today: What would a fully restored Marantz 7700-2 be worth?

Now to the exciting question:What would a fully restored example of the Marantz 7700-2 be worth today?

Important upfront:

  • There areno reliable public auction results.
  • The machine is extremely rare (4–10 pieces worldwide, depending on the source).LinkedIn+2 HiFi Wiki+2
  • Collectors openly say that the price would be 'exotic' if one ever appears.alfa-romeo-portal.com

Based on the known prices for top machines (Revox, Akai, Technics) and the extreme rarity of Marantz, only one can be determinedinformed estimateto submit:

conservative estimate:
onefully restored, visually perfect example of the Marantz 7700-2 would likelyat least 20,000–30,000 €achieve – with realistic potential up to40,000 € or more, if collectors bid against each other.

Why so high?

  1. rarity– fewer units than many studio machines, some only in single digits.HiFi Wiki
  2. brand myth– Marantz + never released tape machine = maximum desirability.museumofmagneticsoundrecording.org
  3. design & optics– perfectly matching the large Marantz receivers and 'state of the art' series.
  4. story– trade show appearances, tests, then suddenly disappeared. That's exactly the kind of story collectors jump on.

Of course, that's aestimate. Reality decides:

  • condition of the heads
  • originality (modified or original)
  • documented history (prototype number, Marantz proof)
  • quality of restoration (fully revised vs. just 'barely works').

cult status: more art object than everyday machine

For the average tape machine fan, the Marantz 7700-2 is moremuseum piece than a daily driver:

  • spare parts are practically unavailable.
  • service requires specialists who are willing to work on a unique piece.
  • The value today lies more indesign, history, and collector statusthan in the pure recording function.

Anyone who just wants to work with tape is much better off with a well-restored Revox B77, Studer, Akai, or Technics RS-1500 – sound-wise at top level, but (still) at somewhat reasonable prices.


Conclusion: The Marantz 7700-2 as the crown of any vintage collection

The Marantz 7700/7700-2 is one of the most fascinating vintage tape machines ever:

  • technically on par with the best devices of its time
  • visually a dream for fans of classic Marantz components
  • historically a‘What if?’ project, that never went into production

Back then, it was supposed to cost around3,200 DM / 2,500 US dollars– today a fully restored example shouldfetch multiple timesof that and play in the league of high-priced art objects.

For most of us, it remains a dream in photos – but exactly such dreams make the charm ofVintage Hi-Fiout. And onmySoundbookyou can dream, compare, browse – and maybe discover the next great love in the form of a more down-to-earth but attainable tape machine.

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